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Glöckner Von Notre Dame Musical 2019

Written By Friday 5 August 2022 Add Comment Edit

1999 musical

The Hunchback of Notre Dame
Disneys Der Glöckner von Notre Dame Musical Logo.jpg

Artwork from the 2017 Berlin product
Music Alan Menken
Lyrics Stephen Schwartz
Book James Lapine (German version)
Peter Parnell (American version)
Basis The Hunchback of Notre-Dame
by Victor Hugo
The Hunchback of Notre Dame
by Walt Disney Animation Studios
Productions 1999 Berlin
2014 San Diego
2015 Millburn
2017 Berlin revival
2017 Munich
2018 Stuttgart
2018 Gothenburg

The Hunchback of Notre Matriarch is a musical play based on the 1831 novel of the same name written by Victor Hugo with songs from the 1996 Walt Disney Animation Studios film adaptation.

The original musical premiered in 1999 in Berlin, Federal republic of germany as Der Glöckner von Notre Dame ("The Bellringer of Notre Dame"). It was produced by Walt Disney Theatrical, the company's get-go musical to premiere outside the U.S. It ran for iii years, becoming i of Berlin's longest-running musicals.

The English language-language musical The Hunchback of Notre Dame, with a revised libretto, had its debut at La Jolla Playhouse in San Diego, California on Oct 28, 2014 and ran until Dec seven, 2014.[1] Subsequently, the testify went on to open on March four, 2015 at the Paper Mill Playhouse in Millburn, New Jersey.[two] Again with a revised libretto, which is the 3rd and final edition. The show closed on April 5, 2015, afterwards information technology was announced that it would not move to Broadway.[3]

In April 2017 a new German product of the musical opened at the Theater des Westens in Berlin.[iv] In February 2018 the musical moved to the Stage Apollo Theater in Stuttgart.[v] The show was translated into Swedish in 2018 equally Ringaren i Notre Dame Musikalen and ran at Gothenburg's Opera House[six] 22 September 2018 to vi April 2019.

History [edit]

Groundwork (1996–1999) [edit]

In 1996, Walt Disney Animation Studios created an animated film adaption of Victor Hugo's novel of the same proper noun. It received generally positive reviews and did reasonably well at the box office. Disney on Broadway, the stage play arm of the Disney Corporation, had staged successful versions of Beauty and the Beast in 1994 and The Lion King in 1997. Disney wanted to motion The Lion King to Berlin.

Der Glöckner von Notre Dame (1999–2002) [edit]

For a long time, Berlin Theatre (now Theater am Potsdamer Platz) was in talks to phase The Lion King, only afterwards those negotiations fell through, Disney offered The Hunchback of Notre Dame instead.[vii] This project, announced past Stella Entertainment on March 18, 1998, saw the phase musical-producing market leader of Germany depart from its tradition of only importing shows which had proven to be successful on Broadway.[7] Originally rehearsed in English language, so retaught in German, the musical opened on June five, 1999 at Berlin.[8] After a successful run – where 1.four one thousand thousand visitors saw the play over 1204 performances[9] – it airtight in June 2002.[10]

Directed by Lapine, the German language translation was by Michael Kunze, choreography by Lar Lubovitch, set design by Heidi Ettinger, costume design by Sue Blane, lighting by Rick Fisher, sound by Tony Meola and projections by Jerome Sirlin.[11] [12] [xiii] The production cost 45 meg marks to produce,[14] much of which was subsidised by state funds.[15] The product featured 40-ii actors from six dissimilar nations.[xvi] Nine new songs were written for this version.[16] This was Disney's outset musical to premiere outside the US,[10] and it became one of Berlin's longest-running musicals to date. As with Dazzler and the Animate being and The Lion Rex, Der Glöckner Von Notre Dame opened three years after the release of the movie on which it is based.

Intermediate menstruation (2002–2013) [edit]

Der Glöckner von Notre Matriarch was an isolated show, i.eastward., information technology only played in 1 German theatre and was non licensable to other companies. The musical was not staged again in this format for many years, however adaptations of the 1996 film The Hunchback of Notre Dame could exist seen in diverse productions effectually Disney theme parks and cruises.

In 2008, lyricist Stephen Schwartz revealed, "I think we're starting up Hunchback of Notre Dame, hopefully, next year."[17] In a November 2010 interview, composer Alan Menken confirmed that he was working on an American production, and that they would use James Lapine's book.[18] On Jan 9, 2013, it was appear that the musical would finally be produced for a Broadway operation with a new volume past Peter Parnell and new songs by Menken and Schwartz, who did the songs for the movie and the original musical.[19] In Apr 2013, the very first English adaptation of Der Glöckner von Notre Matriarch was staged by the Fine Arts Department of The King'south Academy Sports & Fine Arts Center in W Palm Beach, Florida.[20] According to The King's Academy, Walt Disney Productions personally selected them to adapt and premiere the work,[21] and received a license to stage the English version, noting that Disney was workshopping this musical for a possible run on Broadway.[22] The King's Academy collaborated with Disney Executive Studios.[23] Their managing director, David Snyder, helped Disney cast talent for the new show.[22] This version did not include all the songs from Der Glöckner von Notre Dame, and excludes the deaths of Esmeralda and Frollo. While existence an apprentice production, information technology is notable as the first English language staging of the musical, rather than a translation of the film.

At the D23 expo, which took place on Baronial nine–xi, 2013, Josh Strickland performed the kickoff official English language version of a new vocal written for the stage musical version, Fabricated of Stone.[24]

The Hunchback of Notre Dame (2014–nowadays) [edit]

The Hunchback of Notre Dame had a workshop in February 2014, and its North American premiere at La Jolla Playhouse on October 28, 2014 and ran through December 7, 2014, directed by Scott Schwartz.[25] The production featured Sacra-Profana, a local 32-voice chorus, actualization onstage during the entire show.[26] The La Jolla Playhouse product transferred to the Newspaper Mill Playhouse with the 19 person cadre cast with 3 new cast members Jeremy Stolle, Dashaun Immature, and Joseph J. Simeone, (replacing San Diego locals Brian Smolin, William Thomas Hodgson, and Lucas Coleman respectively) with a new choir local to New Jersey, the Continuo Arts Symphonic Chorus from March four through Apr 5, 2015,[27] [28] after which it was appear the show would not movement to Broadway, but it was never officially planned to transfer. The structure of the show was finalized (with 1 song, Agnus Dei beingness cut from the show) and turned into a licensable work.

2016–17 saw the first wave of Us regional theatres to produce the musical; one theatre (Music Theatre Wichita) received a $ten,000 grant from the National Endowment for the Arts to financially help the production.[29] In December 2017 the testify finally got its New York debut with its NY Regional Premiere at the White Plains Performing Arts Center and opened to outstanding reviews.

An adaption of the musical, debuted in 2016 at the Music Circus in Sacramento, embraced the novel'southward assertion that Quasimodo had become deaf after constantly ringing bells all his life past incorporating sign language into the testify. Deafened thespian John McGinty was cast as Quasimodo,[xxx] with a surrogate singer (one of the Notre Dame saints, played past Jim Hogan) singing Quasimodo's songs while McGinty signed.[31]

A production featured an intimate rotating cast of 18 (with no additional choir), and reduced orchestrations with the cast playing their own instruments. The production was directed by Nicholas Wainwright at The University Of The Arts in Dec 2017; making its Center City premiere in Philadelphia.[32]

Another production was a staging washed outdoors in the amphitheater at Tuacahn Centre for the Arts, which was performed from Baronial five-October 15, 2016.[33]

The show was performed for the showtime time in the United kingdom at The Purple Welsh College of Music and Drama by the Richard Burton Company in June 2019, directed by Graham Gill.[ citation needed ]

Due to marriage restrictions regarding the inclusion of the choir and the profitability for Disney from licensing to local productions, the musical has never been staged on Broadway, which has garnered some criticism.

Plot [edit]

Der Glöckner von Notre Dame

Extended content

Act Ane

In 1482 Paris, Clopin, an elderly gypsy beggar, narrates the origin of the titular hunchback ("Die Glocken Notre Dames" – "The Bells of Notre Dame"). The story begins as a group of gypsies sneak illegally into Paris, but are ambushed by Estimate Claude Frollo, the Minister of Justice of Paris, and his soldiers. A gypsy woman in the group attempts to flee with her plain-featured infant, but Frollo chases and kills her exterior Notre Dame. He tries to kill the baby likewise, but the cathedral's archdeacon intervenes and accuses Frollo of murdering an innocent woman. To atone for his sin, Frollo reluctantly agrees to raise the deformed child in Notre Dame as his son, naming him Quasimodo.

Twenty years later, in 1502, Quasimodo develops into a kind yet isolated young human who dreams of seeing life exterior the bell belfry. Due to his loneliness, Quasimodo's mind created imaginary friends: a trio of gargoyles named Charles, Antoine and Loni. Despite Frollo'southward warnings that he would be shunned for his deformity, the gargoyles urge him to disobey Frollo, ("Zuflucht" – "Sanctuary") and Quasimodo decides to go out for just one twenty-four hours ("Draußen" – "Out In that location").

While the Parisians go along their preparations for a festival, the gypsies prepare to attend the festival in their hideout, the Court of Miracles ("Tanz auf dem Seil" – "Balancing Human activity"). Their attention is taken by a newcomer, a young gypsy dancer named Esmeralda. Meanwhile, Phoebus of Frollo'due south baby-sit arrives in Paris excited about his new promotion every bit its captain ("Ein bisschen Freude" – "Rest and Recreation"). He flirts with a young girl just is all of a sudden interrupted by a fleeing gypsy accused of theft. The gypsy pleads innocence, merely Frollo arrives and orders his soldiers to arrest the gypsy. Frollo tells Phoebus that the city has become overrun by gypsies and that he plans to find the Court of Miracles and eliminate them all.

Every bit the festival begins ("Drunter drüber" – "Topsy Turvy"), Quasimodo attends information technology and he is celebrated for his bizarre appearance, only to be humiliated past the oversupply after Frollo's men start a riot. Frollo refuses to help Quasimodo, merely Esmeralda intervenes, frees the hunchback, and uses a magic trick to disappear. Frollo confronts Quasimodo and sends him dorsum inside the cathedral.

Phoebus refuses to arrest Esmeralda for alleged witchcraft inside Notre Dame and has her confined to the cathedral. Esmeralda, encouraged past the Archdeacon, offers a prayer to God to help her and the other outcasts ("Hilf den Verstoß'nen" – "God Aid the Outcasts"). Meanwhile, Frollo orders Phoebus to mail service a guard at every door to ensure that Esmeralda does not escape.

Esmeralda finds and befriends Quasimodo to the bell belfry and is captivated by the view of the urban center ("Hoch über der Welt" – "On Top of the Earth"). Quasimodo helps her escape Notre Dame out of gratitude for defending him. Esmeralda entrusts Quasimodo with a pendant containing a map to the Court of Miracles. Quasimodo expresses his feelings, as he has been touched past Esmeralda's kindness ("Das Licht des Himmels" – "Heaven'due south Light"). Meanwhile, Frollo soon develops lustful feelings for Esmeralda and, upon realizing them, he begs the Virgin Mary to save him from her "spell" to avert eternal damnation ("Das Feuer der Hölle" – "Hellfire").

After discovering that Esmeralda escaped, Frollo instigates a citywide manhunt for her, which involves setting fire to countless houses in his way. Phoebus is appalled by Frollo's evil reputation and defies him. Frollo sentences him to death. Phoebus is briefly struck by an pointer and falls into the Seine but Esmeralda rescues him. ("Finale Act 1"/"Esmeralda").

Human activity Two

The soldiers go along searching the urban center ("Trommeln in der Stadt" – "Urban center Under Siege"). Esmeralda tells Phoebus to seek refuge at Notre Dame while she returns to the Court of Miracles. Meanwhile, the gargoyles convince Quasimodo that Esmeralda finds him romantically intriguing, and they reassure him about her rubber ("Ein Isle of man wie du" – "A Guy Similar You"). The Archdeacon brings Phoebus to the bell tower and Phoebus, knowing Quasimodo to be a friend of Esmeralda's, asks Quasimodo to hide him.

Frollo returns to Notre Dame later that dark and discovers that Quasimodo helped Esmeralda escape. He bluffs to Quasimodo, proverb that he knows about the Court of Miracles and that he intends to attack at dawn. After Frollo leaves, Phoebus comes out of hiding and asks Quasimodo to help him find the Courtroom of Miracles and warn Esmeralda. Quasimodo refuses to leave the cathedral again, just Phoebus and the gargoyles teach Quasimodo the value of devotion and selflessness ("Weil du liebst" – "Out of Love").

Using Esmeralda's amulet equally their guide, Quasimodo and Phoebus detect the Court of Miracles to warn the gypsies. Esmeralda and Phoebus make up one's mind to leave the metropolis together while Quasimodo, heartbroken, watches Esmeralda leave with the human she truly loves ("Weil du liebst" – "Out of Dearest" (Reprise)). Nonetheless, Frollo, having followed the 2, captures the gypsies nowadays.

Esmeralda rejects Frollo's advances of becoming his mistress. Tied upward in the bong belfry, Quasimodo refuses to assist and tells the gargoyles to leave him ("Wie aus Stein" – "Fabricated of Rock"). As dawn approaches, Esmeralda awaits her execution in the dungeon with Phoebus, hoping that 1 solar day the world will exist a better place ("Einmal" – "Someday").

Frollo prepares to fire Esmeralda at the pale, merely Quasimodo rescues her and brings her to the cathedral. Phoebus and so frees himself and the gypsies and rallies the citizens of Paris against Frollo and his men, who effort to interruption into the cathedral. Quasimodo calls upon the saints and the gargoyles before pouring molten atomic number 82 onto the streets to ensure no one enters, simply Frollo himself successfully breaks in. In the cathedral, Esmeralda thanks Quasimodo for being a proficient friend and dies from smoke inhalation. Frollo arrives and, later asking Quasimodo if she is dead, tells the hunchback that they are finally costless of her poison. Encouraged by Antoine, Quasimodo throws Frollo to his death in the molten pb. The gargoyles condolement Quasimodo and tell him the world is full of good as well as evil. The citizens picket as Quasimodo carries Esmeralda's body through the foursquare with Phoebus by his side. Clopin appears again and asks what makes a monster and what makes a human ("Finale Ultimo" – "Thou Finale").

The Hunchback of Notre Dame

Extended content
Act One

Many years ago, orphaned brothers Jehan and Claude Frollo were taken in at Notre Matriarch. Jehan grew to be mischievous while Claude remained pious. After Jehan was caught with a gypsy woman, he was expelled from Notre Dame. Frollo eventually became the archdeacon of Notre Dame. 1 day, Frollo received a letter from Jehan; the ii met in undercover, where Jehan, on his deathbed, gave Frollo his deformed baby before dying. As Frollo prepared to kill the child, he suddenly felt equally he was being tested by God. Thus, he instead saved the child, naming it Quasimodo, or "half-formed", and raising it in Notre Dame ("The Bells of Notre Matriarch").

In the present solar day (in the year 1542), Quasimodo is now a young human, made partially deaf past a lifetime of ringing Notre Dame'southward bells. He talks to Notre Dame's statues of saints and gargoyles almost his desire to go to the Feast of Fools. Frollo arrives and asks him who he is speaking to, reminding him that the stone statues cannot talk. They recite the biblical story of the Flight into Egypt, after which Frollo complains about Paris's gypsies and the Feast of Fools ("Sanctuary Part I"). Quasimodo offers to protect him exterior; Frollo declines, alarm him that he would be shunned if he were to leave in public ("Sanctuary Role Ii"). Quasimodo sings to himself, yearning to spend ane day outside Notre Dame ("Out In that location").

In the streets of Paris, the Feast of Fools begins, led past Clopin, the gypsy king ("Topsy Turvy Part I"). Meanwhile, Captain Phoebus, the new caput of Notre Matriarch's Cathedral Guard, arrives in Paris from the front end lines. Frollo welcomes him, telling him they must rid the urban center of gypsies ("Residual and Recreation"). Clopin introduces Esmeralda, a gypsy dancer ("Rhythm of the Tambourine")—Quasimodo, Frollo, and Phoebus are all entranced by her. After that, Clopin holds a contest to crown the King of Fools, the ugliest person in Paris. Encouraged by Esmeralda, Quasimodo enters, immediately winning the competition ("Topsy Turvy Part Ii") before being humiliated by the crowd. Esmeralda rescues Quasimodo with a magic trick earlier Frollo intervenes. He scolds Quasimodo; the two render to Notre Dame, followed by Esmeralda ("Sanctuary Part III").

Frollo finds Esmeralda, confronting her; after a cursory argument, he relents, assuasive her to stay. Esmeralda prays to God to aid the less fortunate ("God Help the Outcasts"). Phoebus finds Esmeralda; they argue, Phoebus telling her not to fight unwinnable battles, to which she retorts that she cannot help it.

Esmeralda heads to the bell tower, finding Quasimodo there. The ii rapidly befriend each other ("Pinnacle of the Globe"), Quasimodo ringing the bells of Notre Dame for her. Frollo runs up to the tower, aroused at Quasimodo for ringing the bells at the wrong time. He is shocked by Esmeralda's presence, thinking she had left. He offers her shelter so he may save her soul, but she rejects his offer, proverb that she sees the style Frollo looks at her. This infuriates Frollo, who orders Phoebus to escort her from Notre Matriarch and abort her if she sets foot in information technology once again. Frollo warns Quasimodo that Esmeralda is a unsafe person sent from Hell and to ignore whatsoever lustful feelings he may feel towards her. Yet, having developed such feelings for Esmeralda himself, Frollo roams the streets nightly, one night discovering Esmeralda, Clopin and multiple other gypsies partying with Phoebus; he is unable to look abroad as Esmeralda dances and kisses Phoebus ("Tavern Vocal (Thai Mol Piyas)"). Meanwhile, in the bell tower, Quasimodo reflects on seeing couples in honey from his belfry and how he never thought himself worthy of love until meeting Esmeralda ("Heaven's Light").

Frollo prays, begging the Virgin Mary to relieve him by either condemning Esmeralda to Hell or giving her to him ("Hellfire"). The adjacent day, he approaches Rex Louis Xi request for special powers to end a 'gypsy witch' to protect Paris, which he is granted. With his new powers, he instigates a citywide manhunt for Esmeralda which leads him to a brothel known for hiding gypsies. When the brothel's owner claims ignorance, Frollo orders Phoebus to burn the brothel downwardly, an order which Phoebus defies. As Frollo orders Phoebus's arrest, Esmeralda appears; a fight breaks loose. Among the mayhem, Frollo stabs Phoebus and frames Esmeralda for it; she uses a magic play a joke on to escape. Frollo continues the hunt, while Quasimodo grows increasingly worried virtually Esmeralda's whereabouts ("Esmeralda").

Human action Two

Esmeralda returns to Notre Dame, request Quasimodo to hide the injured Phoebus. She gives Quasimodo a woven band and leaves. Inspired by the story of Saint Aphrodisius and encouraged by the saints, Quasimodo deciphers the woven band every bit a map and resolves to help her ("Flight into Egypt"). Frollo returns to Notre Dame, asking Quasimodo where Esmeralda is; Quasimodo responds that he doesn't know. Frollo appears to accept this, before a guard informs Frollo that they know where Esmeralda is. Frollo tells Quasimodo that they will now be successful in capturing Esmeralda and leaves ("Esmeralda (Reprise)").

Using the map, Quasimodo and Phoebus go to warn the gypsies ("Rest and Recreation (Reprise)"). Initially, the gypsies attempt to kill the two, but they are saved by Esmeralda. ("Court of Miracles"). The two tell the gypsies Frollo volition attack at dawn. The gypsies set to get out; Phoebus asks Esmeralda to become with her, the two expressing their love for each other as Quasimodo looks on, heartbroken ("Sky's Lite (Reprise)/In a Place of Miracles"). Frollo all of a sudden enters, having followed Quasimodo, and arrests all nowadays—only Clopin manages to escape. Frollo has the guards lock Quasimodo in the bell belfry.

Frollo visits Esmeralda, telling her that he tin can salvage her if she accepts being with him. When Esmeralda refuses, he threatens Phoebus' life and attempts to rape her ("Sanctuary (Reprise)"). He halts when Esmeralda cries out in protestation, assuasive her to have a final conversation with Phoebus. Phoebus pleads for her to have Frollo's offer to save herself, which Esmeralda refuses to do. They yearn together for a better future ("Someday"). Meanwhile, in the bell tower, the statues encourage Quasimodo to free himself and relieve Esmeralda; Quasimodo angrily denounces them, declaring that he will remain stoic until he dies ("Made of Stone").

At dawn, Esmeralda is tied to a pyre exterior Notre Dame. Frollo sentences her to death, offer her one last chance to save herself, which she angrily rejects. He orders her pyre to be lit. Quasimodo swings down on a rope from the bell tower and takes Esmeralda dorsum to Notre Dame, invoking Notre Dame'due south status as a sanctuary in an entreatment for protection. Frollo orders the Cathedral Guard to retake the church past force. Clopin frees Phoebus, after which the two rally the people of Paris to fight against the guards. However, the guards still manage to break in. Quasimodo dumps the molten lead used for fixing the bells onto the guards to finish them. Esmeralda thanks Quasimodo for being a good friend before dying from fume inhalation. Frollo enters and asks Quasimodo if she is dead, which he cleaved-heartedly confirms. Relieved, Frollo tells Quasimodo that they are finally free of her poison. Quasimodo angrily throws Frollo off the tower of Notre Dame to his decease.

Devastated, Quasimodo realizes that everyone he has ever loved is now expressionless. Phoebus arrives, finding out nearly Esmeralda'due south death. Phoebus tries to conduct her torso away but is unable to due to his injuries. Quasimodo and then carries Esmeralda away.

Years afterwards, two skeletons are discovered in the crypts of Notre Dame, one holding the other in its arms – the former has a woven band around its neck and the other has a crooked spinal cavalcade. When it was attempted to detach the two, the latter crumbles to dust. The visitor finally addresses the audience with a question asked at the showtime of the prove—"What makes a monster and what makes a man?" ("Finale").

Music [edit]

Der Glöckner von Notre Dame

Extended content

An original cast recording was recorded in High german.[35]

Instrumentation

  • Reed I (Flute, Piccolo)
  • Reed Two (Oboe, English Horn)
  • Reed III (Clarinet, Alto Saxophone, Flute, Electronic Wind Instrument)
  • Reed 4 (Clarinet, Bass Clarinet, Tenor Saxophone, Oboe, English Horn)
  • Reed V (Clarinet, Baritone Saxophone, Bassoon)
  • 2 Trumpets
  • 2 Horns
  • 1 Trombone/Euphonium
  • 1 Bass Trombone/Tuba
  • two Percussion
  • 3 Keyboards
  • 4 Violins
  • 1 Viola
  • 1 Cello
  • 1 Contrabass

The Hunchback of Notre Matriarch

Extended content
Notes
1 Included as part of "Out There" on Studio Cast Recording
2 Combined on Studio Bandage Recording into 1 song titled "Into Notre Dame"
iii Non present on Studio Cast Recording
four Titled "Justice in Paris" on Studio Cast Recording
five Combined on Studio Cast Recording into one song titled "Finale"
Many changes were made to the score when the production transferred from San Diego to Millburn, including cut the song "In My Life," sung following "God Help the Outcasts" by Esmeralda and Phoebus[37]

Instrumentation

  • Reed I (Flute, Piccolo, Soprano Saxophone, Clarinet)
  • Reed Ii (Oboe, English language Horn, Clarinet, Alto Saxophone)
  • Reed Iii (Bassoon, Baritone Saxophone, Bass Clarinet, Clarinet)
  • 1 Piccolo Trumpet/Trumpet
  • 1 Trumpet/Flugelhorn
  • ane Horn
  • 1 Bass Trombone/Euphonium/Tenor Trombone
  • ane Drums/Percussion
  • 2 Keyboards
  • ii Violins
  • 1 Viola
  • one Cello

Design and themes [edit]

Der Glöckner von Notre Dame

Alan Menken noted that "some songs complement the original composition of the film" while "others are very dissimilar from the picture show compositions and extend the musical spectrum", making a special mention of a song in Act Two which was inspired by traditional Roma music.[38] Translator Michael Kunze "campaign[ed] to allow Esmeralda to die at the end, as she does in the book. There was a feeling that the audience would be depressed if Esmeralda dies. I feel that a European audience would see this as a very romantic ending ... two lost souls finally find each other. People will cry, but they'll exist moved."[39] The producers wanted to see how preview audiences reacted before making the final conclusion.[39] The fix for the production utilized many big hydraulically controlled boxes that tin be placed at whatever pinnacle, onto which projections were used in every scene for scenery and effects.[twoscore] The finale of act one shows Phoebus' plummet from a bridge over the Seine after beingness shot past an arrow.[34]

The Hunchback of Notre Dame

"These characters all come together, all with purpose, all trying to do the right affair facing extraordinary obstacles... We don't offer a solution, but we go to this identify that you or others may call dark, that I would call life."

Thomas Schumacher, interview with Land of the Arts NJ for the 2015 Paper Manufacturing plant Playhouse production of Hunchback.[41]

The fashion of the testify is a "Victor Hugo adaption with the score of Disney's Hunchback."[42] "The Bells of Notre Dame" is rewritten to include Frollo's past as a priest as well as his relationship with his brother Jehan before becoming the cathedral's archdeacon. The gargoyles, Victor, Hugo, and Laverne (Charles, Antoine, and Loni in the Berlin production), who are the comic relief in the 1996 film, are cut. Quasimodo speaks with a "strangled slur", rather than his pure vocalization in the movie. He relies on a grade of sign linguistic communication that he has invented, and while he is unable to articulate, the statues of Notre Dame serve equally figments of his imagination, which provide insight into his thoughts and attitudes equally a Greek chorus.[43] Some of the original characters from the novel are added, likewise equally songs such equally "The Tavern Song", "Rhythm of the Tambourine," "Flying into Egypt" and "In a Place of Miracles." The musical relies on a series of musical leitmotifs, which are reprised either instrumentally or vocally. Each of the central characters has a theme ("Out There" for Quasimodo, "God Assistance the Outcasts" for Esmeralda, "Hellfire" for Frollo, and "Rest and Recreation" for Phoebus). "The Bells of Notre Dame" acts equally a narrative device to tell parts of the story. Thomas Schumacher, president of the Walt Disney Theatrical, noted that the English adaption of the musical embraced the darker elements of the original source material by Victor Hugo.[44] Subsequently Michael Arden, who played the role of Quasimodo in this version, read the book and discovered that Quasimodo is actually deaf from bell-ringing, he incorporated this aspect into his character, including a sign language-based grade of communication. He had to selectively choose the moments to forgo the ailment in gild to sing, such every bit moments when Quasimodo is alone; from his perspective he does not see his deformities.[45] Michael Arden said of his part that he would retire from the role in futurity incarnations of the show.[46] The ending was proposed by managing director Scott Schwartz, who turned to the original source material for inspiration; it was inserted during tech rehearsals for the Papermill staging.[47] According to Thomas W. Douglas, musical manager of a 2017 adaption at MTW, the musical may leave the audience feeling thoughtful and pensive, rather than compelling them to stand up and cheer, due to the story's moral ambiguity and complexity.[29] The theme of the play, according to Kyoto Quasimodo actor Akitaka Tanaka ( 田中 彰孝 , Tanaka Akitaka ), is of how to behave when in contact with others different from ourselves.[48] [49] Alan Menken and Stephen Schwartz felt that having a alive choir on stage was integral in achieving the concentrated sound they had crafted for the pic; in addition James Lapine gave them his blessing in tinkering with his book for the new production.[47]

Critical reception [edit]

Der Glöckner von Notre Matriarch

Matt Wolf of Variety said, "The prevailing tone, indeed, is far and away the nigh somber of the iii Disney film-to-stage shows yet." He wrote that "the design is likely to be the prove's talking point in any linguistic communication, coupling as it does the all-time of British and American talent with a new $100 million dollar-plus playhouse specifically adapted to conform the demands of the slice. The aquamarine stage pall, Gothic tracery already encoded within information technology, rises to reveal set designer Heidi Ettinger's ever-shifting array of cubes that bring together with Jerome Sirlin's projections to conjure the medieval world of the Parisian belltower inhabited by Sarich's misshapen orphan Quasimodo, his unyielding master Frollo (Norbert Lamla) and a trio of very chatty gargoyles."[xiii]

Awards and nominations

The Hunchback of Notre Matriarch

The English language version of the musical received positive reviews. The New York Daily News wrote, "This stage musical smartly excises comic relief from the pic's giggling gargoyles...The look of the show is also very adept. Alexander Dodge's lavish bell-belfry, Alejo Vietti's gritty menstruation costumes and Howell Binkley'southward dynamic lights lend to the temper."[50] The New York Times deemed it a "surprising[ly] self-serious...polished but ponderous musical" with a "simultaneously impressive and oppressive" phase and "rich choral singing."[43] The Hollywood Reporter said "Menken'due south exceptionally complex, classically-influenced score often soars."[51] AM New York called the musical "an unusually dark and chilling piece of musical theater which explores physical deformity, religious extremism, sexual repression and fifty-fifty genocide."[52]

Awards and nominations

Additionally, Hunchback received 10 Tommy Melody awards from 15 nominations,[65] [66] 6 Kennt Honor nominations,[67] thirteen Bluish Star Laurels nominations,[68] 10 Tune Awards,[69] 15 Freedy Laurels nominations and 8 wins,[lxx] half dozen Blumey Honour nominations,[71] 1 Annual Pierrot Award,[72] and 7 TBA awards.[73] The Danish version received 3 laurels nominations.[74]

Principal bandage [edit]

Character Original Berlin Cast (Berlin, Germany; 1999) La Jolla Playhouse Cast (San Diego, CA, U.s.; 2014) Paper Mill Playhouse Bandage (Millburn, NJ, USA; 2015)
Quasimodo Drew Sarich[13] Michael Arden[13]
Claude Frollo Norbert Lamla Patrick Page
Esmeralda Judy Weiss[13] Ciara Renée
Phoebus Fredrik Lycke Andrew Samonsky
Clopin Jens Janke Erik Liberman
Charles Valentin Zahn does not appear
Loni Yvonne Ritz Andersen does non announced
Antoine Tamàs Ferkay does non appear
The Archdeacon Carlo Lauber does not appear
Lt. Frederic Charlus does not appear Ian Patrick Gibb
Jehan Frollo does not appear Lucas Coleman Jeremy Stolle
Florika does not appear Samantha Massell
St. Aphrodisius does not appear Neal Mayer
Choir n/a SACRA/PROFANA Continuo Arts

Cast albums [edit]

The Hunchback of Notre Matriarch (Studio Bandage Recording)
The Hunchback of Notre Dame cover.jpg
Soundtrack album cast recording past

Various
Released January 22, 2016
Length 1:nineteen:55
Label Ghostlight Records

High german (1999) [edit]

A German bandage album was recorded in 1999.

English (2015) [edit]

On May 15, 2015, it was announced that the Paper Mill cast would exist releasing a cast recording of the evidence.[75] Recorded on September 28–xxx at Avatar Studios,[76] [77] the album features a 25-piece orchestra, with a 32-strong choir.[78] The recording was released by Ghostlight Records in January 2016.[79] The bandage anthology was released to critical and commercial acclaim.[ commendation needed ] It debuted at number one on Billboard'due south Cast Albums chart upon its release, thereby catastrophe the 17-week run of Hamilton on this listing.[fourscore]

Chart Peak position
Cast Albums Sales one[eighty]
Top Anthology Sales 17[ citation needed ]
Billboard 200 47[ citation needed ]

German (2017) [edit]

A German bandage album was recorded in 2017. M1 Musical wrote that from the commencement notes of Olim in the High german recording, the reviewer was given goosebumps; they ultimately deemed it a "masterpiece – the diamond in the CD shelf."[81]

Meet also [edit]

References [edit]

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External links [edit]

  • Official Der Glöckner von Notre Dame website (in German) (Current 2018 Stuttgart Product)
  • Official Der Glöckner von Notre Matriarch website (Archive)
  • Official Der Glöckner von Notre Dame website (in German) (Archive)
  • Description of the technical pattern of the original production Archived 2012-04-27 at the Wayback Car
  • Character Portraits for The Hunchback of Notre Dame by danscape, Texas Premiere at The Playhouse San Antonio

Source: https://en.wikipedia.org/wiki/The_Hunchback_of_Notre_Dame_(musical)

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